Top 20 Heavy Albums of 2012

1609110009-1Honorable Mention: Eyehategod, New Orleans is the New Vietnam 7″

Haarp, Husks cover20    haarp, Husks

No appreciable evolution over last time, but still ugly trudge-laden aural misanthropy.

blood for the master, cover19    Goatwhore, Blood for the Master

They refined Carving Out the Eyes of God‘s formula by just a hair of a blade– but they’re  still an evil death metal Motörhead.

Hour of 13, 333 cover18    Hour of 13, 333

Ho13 always make the bottom of the year-end lists for me. Well written, unambitious traditional doom rock.

Witchsorrow - God Curse Us17    Witchsorrow, God Curse Us

Oozing stoner-y doom with a bit of Celtic Frost worship.

Dead Roots Stirring, cover16    Elder, Dead Roots Stirring

Witchsorrow if they drank hard liquor and beer and smoked less weed.

dragged-into-sunlight-Widowmaker-album-art-cover-2012-1500x150015    Dragged Into Sunlight, Widowmaker

Blackened Sludge; the only thing outright uglier than this record is no. 13 below.

meshuggah, koloss, cover14    Meshuggah, Koloss

Again, a hairline refinement (in this case simplicity) for the kings of polymeter/ polyrhythm thinking (wo)man’s extreme music.

Anaal Nathrakh, Vanitas13    Anaal Nathrakh, Vanitas

UGLY. Worse than last time. The industrial grindcore of black metal.

ETwinCover300dpiCMYK12    Eagle Twin, The Feather Tipped the Serpent’s Scale

Southern Lord (the label) blues; Tom Waits jams with Greg Anderson.

effigies of evil (high res)11    Hooded Menace, Effigies of Evil

Ripped-out Fangoria pages strewn across fresh asphalt, being pressed into the muck by a steamroller: The band.

ufomammut-oro-opus-alter-cover10    Ufomammut, Oro: Opus Alter

Hated it at first, went to Colorado and then Washington and learned exactly what this album is for, and why it is the perfect Dalí plays Dark Side of the Moon-esque material for those states.

Nachtmystium-Silencing-Machine9      Nachtmystium, Silencing Machine

As catchy as black metal gets; nearly psychedelic in its sonic randomness and anarchy.

Serpentine Path, self-titled cover (hi-res)8      Serpentine Path, Serpentine Path

Members of Ramesses and Unearthly Trance make the nuclear ice-breaker of glacial paces.

The-Sword_Apocryphon7      The Sword, Apocryphon

They got heavier while still keeping the psychedelic stoner mood of Warp Riders. The concepts running lyrically through this concept album are fascinating.

Lillie F-65, cover6      Saint Vitus, Lillie:  F-65

Pharmaceutical grade stoner metal.

Sylosis, original cover (hi-res)5      Sylosis, Monolith

The first muscular, melodic mature-yet-furious thrash metal record I’ve heard in years.

Layout 14      Windhand, Windhand

Hour of 13 + Witchsorrow + Elder = Windhand. Occult traditional stoner doom metal. Psychedelic yet sinister. Evil hippies. Evil hippies who are “just into the religion of love, man… love of Satan….”

Book Burner, cover3      Pig Destroyer, Book Burner

High gain mid-range turn on a dime deathgrind fury. Just as good as their classic last LP, but very different.

Witchcraft-Legend2      Witchcraft, Legend

Beautifully-written, gracefully arranged 70s-ish occult rock, with a vocalist who can go from cold, crystal-clear, taunting malice to roaring disdain– and still stay have melody running all up in this motherfucker.

Monolith of Inhumanity, cover1      Cattle Mutilation, Monolith of Inhumanity

What death/grind is supposed to be: musically complex yet logically arranged extreme music that can change from blisteringly-fast to Inception-the-third-dream-deep slow– that is also lyrically both literate and surprisingly shocking. Kudos especially to vocalist Travis Ryan for being streets ahead of every other extreme metal singer: there were so many different variations in the vocals it sounded like all of Milton’s “thousand demi-gods on golden seats” got a shot at roaring.

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